Visual Art

Eye of the Sixties by Judith E. Stein

I’d been researching a biography of the late art dealer Richard Bellamy (1927–1998) for several years when he popped up in a dream. In waking hours, I tracked the man whom everybody called Dick through the post-war art world, perplexed by his absence from the grand narrative of late modernism. He survived in people’s memories, not in history books.

Emperor of the Eight Islands by Lian Hearn

The Tale of Shikanoko was inspired, in part, by old Samurai stories such as The Tale of Heike and The Tale of the Soga Brothers—and they are, in fact, full of dramatic combat and rival clans and traditions of honor, all of which emerges from Hearn’s lifelong study of Japanese history and culture. But these volumes are also brimming with supernatural beings, guardian spirits, and a palpable sense of magic.

Legendary Dutch forger Han van Meegeren with his fake Vermeer in his studio in 1945

Every fake should tell a story. Maybe it’s the blue chalk marks on the back of the frame, partially removed by hand, that suggest previous auction sales. Or maybe it’s the insect frass on the picture itself, evoking decades of neglect in an attic, since flies are drawn to the sugars in the varnish.

The White Road by Edmund de Waal

We are pleased to present an opening section from The White Road, Edmund de Waal’s cleareyed, enchanting account of a life spent in porecelain. De Waal is one of the world’s leading ceramic artists and the bestselling author of The Hare with Amber Eyes.

The Pickle Index

The Pickle Index is being feted far and wide as a multi-platform vision of the future of storytelling. And it is that. But it also, at heart, an old-fashioned fable in the tradition of, say, George Orwell and James Thurber (a natural pair, like a carrot and a cucumber)—a fable about a world in which pickled vegetables are the basis of the diet, the economy, the culture, and the only hope is a seemingly hapless circus troupe trying to put their arcane skills to good and desperate use…you can see where the Orwell and Thurber comparisons come from. Right? But anyway, what’s more old-fashioned than the actual wood-cuts that illustrate the paperback edition? Here, digital visionary Horowitz peppers Ian Huebert, print-maker and illustrator, with questions about just the distinctly analog way woodcut gets made (Look at those tools! Sharp, dangerous tools that cut into wood! Look at that printing press!)—never once letting on that the FSG Originals paperback edition contains a secret illustration of an octopus in a rowboat that is absolutely exclusive to our edition. You will, however, have the opportunity to win a signed and numbered letter-press poster by Mr. Huebert himself. So read on, friends, read on!

Isuma Noguchi - Hayden Herrera

Throughout the twentieth century, Isamu Noguchi was a vital figure in modern art. In this essay about the elusive artist, Hayden Herrera observes the driving force behind Noguchi’s creativity and career.

Hans Ulrich Obrist and Marina Abramovic

On November 16th, 2014 the seminal performance artist Marina Abramović and Hans Ulrich Obrist, one of the world’s most influential critics and curators, sat down at McNally Jackson to celebrate the publication of Obrist’s book, Ways of Curating. They discussed the rituals of creativity, night trains, Da Vinci’s sleep cycle, and much, much more.